Seeing high & low: representing social conflict in American visual culture
2006; Association of College and Research Libraries; Volume: 44; Issue: 04 Linguagem: Inglês
10.5860/choice.44-1913
ISSN1943-5975
Autores Tópico(s)Fashion and Cultural Textiles
ResumoAcknowledgments Introduction Patricia Johnston 1. Educating for Distinction? Art, Hierarchy, and Charles Willson Peale's Staircase Group David Steinberg 2. Samuel F.B. Morse's Gallery of the Louvre: Social Tensions in an Ideal World Patricia Johnston 3. Cartoons in Color: David Gilmour Blythe's Very Uncivil War Sarah Burns 4. Ain't I a Woman?: Anne Whitney, Edmonia Lewis, and the Iconography of Emancipation Melissa Dabakis 5. Cultural Racism: Resistance and Accommodation in the Civil War Art of Eastman Johnson and Thomas Nast Patricia Hills 6. Custer's Last Stand: High-Low on Old and New Frontiers Patricia M. Burnham 7. Reenvisioning This Well-Wooded Land Janice Simon 8. At Home with Mona Lisa: Consumers and Commercial Visual Culture, 1880--1920 Katharine Martinez 9. Gustav Stickley's Designs for the Home: An Activist Aesthetic for the Upwardly Mobile Arlette Klaric 10. Handicraft, Native American Art, and Modern Indian Identity Elizabeth Hutchinson 11. Alone on the Sidewalks of New York: Alfred Stieglitz's Photography, 1892--1913 Joanne Lukitsh 12. The Colors of Modernism: Georgia O'Keeffe, Cheney Brothers, and the Relationship between Art and Industry in the 1920s Regina Lee Blaszczyk 13. The Invisibility of Race in Modernist Representation: Marsden Hartley's North Atlantic Folk Donna M. Cassidy 14. Caricaturing the Gringo Tourist: Diego Rivera's Folkloric and Touristic Mexico and Miguel Covarrubias's Sunday Afternoon in Xochimilco Jeffrey Belnap 15. The Norman Rockwell Museum and the Representation of Social Conflict Alan Wallach Contributors List of Illustrations Index
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