Henry James on stage and screen

2001; Association of College and Research Libraries; Volume: 38; Issue: 06 Linguagem: Inglês

10.5860/choice.38-3191

ISSN

1943-5975

Autores

John R. Bradley,

Tópico(s)

South Asian Cinema and Culture

Resumo

Introduction Henry James on Stage: 'That Sole Intensity which the Theatre can Produce' S.M.Novick 'The Master's Voice: Henry James and Opera M.Halliwell Henry James: Varieties of Cinematic Experience P.Horne The End of Embroidery: From Washington Square to The Heiress P.Swaab Ceremonies of Innocence: Men, Boys and Women in The Turn of the Screw M.Deustch Frank and Jim Go Boating: Henry James and the French New Wave D.V.Leer Black and White and Shades of Grey: Ambiguity in The Innocents V.Wilson Enduring Ephemera: James Cellan Jones, Henry James and the BBC N.Berry Framing the 'Sketch': Bogdanovich's D aisy Miller D.Cross Marriage, Influence and Deception: Merchant-Ivory's The Europeans and The Bostonians E.Brake 'Exquisite Taste': The Recent Henry James Films as Middlebrow Culture M.Eaton The Consciousness on the Cutting Room Floor: Jane Campion's The Portrait of a Lady M.Anesko For Mature Viewers: Sexuality and Gender in Recent Film Adaptations of Henry James's Fiction J.C.Rowe How To Do Things To Words: Making Language Immaterial in The Wings of the Dove M.Ian Portraits of Lady Chatterley: Jamesean Dilemmas, Lawrencian Eros and the Triumph of Cinematic Adaptation in The Wings of the Dove R.A.Kaye Index

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