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From mouse to mermaid: the politics of film, gender, and culture

1996; Association of College and Research Libraries; Volume: 33; Issue: 07 Linguagem: Inglês

10.5860/choice.33-3812

1943-5975

Elizabeth Bell, Lynda Haas, Laura Sells,

Cinema and Media Studies

Acknowledgments Introduction: WaltOs in the MoviesNElizabeth Bell, Lynda Haas, and Laura Sells Section I: Sanitizations/Disney Film as Cultural Pedagogy Breaking the Disney SpellNJack Zipes Memory and Pedagogy in the OWonderful World of DisneyO: Beyond the Politics of InnocenceNHenry A. Giroux PinocchioNClaudia Card Disney Does Dutch: Billy Bathgate and the Disneyficationof the Gangster GenreNRobert Haas The Movie You See, The Movie DonOt: How Disney DoOs That Old Time DerisionNSusan Miller and Greg Rode Section II: Contestations/Disney Film as Gender Construction Somatexts at the Disney Shop: Constructing the Pentimentos of WomenOs Animated BodiesNElizabeth Bell OThe Whole Wide World was Scribbed CleanO: The Androcentric Animation of Denatured DisneyNPatrick D. Murphy BambiNDavid Payne Beyond Captain Nemo: DisneyOs Science FictionNBrian Attebery The Curse of Masculinity: DisneyOs Beauty and the BeastNSusan Jeffords Section III: Erasures/Disney Film as Identity Politics OWhere Do The Mermaids Stand?OVoice and Body in The Little MermaidNLaura Sells OEighty-Six the MotherO: Murder, Matricide, and Good MothersNLynda Haas Spinsters in Sensible Shoes: Mary Poppins and Bedknobs and BroomsticksNChris Cuomo Pretty Woman Through the Triple Lens of Black Feminist SpectatorshipND.Soyini Madison Pachuco MickeyNRamona Fernancez Contributors Index