Drama and the world of Richard Wagner
2004; Association of College and Research Libraries; Volume: 41; Issue: 10 Linguagem: Inglês
10.5860/choice.41-5802
ISSN1943-5975
AutoresDieter Borchmeyer, D. JILL ELLIS,
Tópico(s)Musicology and Musical Analysis
ResumoPREFACE vii CHAPTER ONE: Love's Madness, Fairy-Tale Enchantment, and a Sicilian Carnival: Die Hochzeit, Die Feen, and Das Liebesverbot 1 CHAPTER TWO: On the Uses and Disadvantages of History for the Music Drama-Grand Opera: Die hohe Braut, Rienzi, and Their Consequences 29 CHAPTER THREE: The Transformations of Ahasuerus: The Flying Dutchman and His Metamorphoses 79 CHAPTER FOUR: Venus in Exile: Tannhuuser between Romanticism and Young Germany 101 CHAPTER FIVE: Lohengrin: The Mythical Palimpsest of Wagner's Last Romantic Opera 147 CHAPTER SIX: Love and Objectification in the Music Drama: Tristan's Isolde and Her Sisters 157 CHAPTER SEVEN: Nuremberg as an Aesthetic State: Die Meistersinger, an Image and Counterimage of History 180 CHAPTER EIGHT: The Myth of the Beginning and End of History: Der Ring des Nibelungen 212 CHAPTER NINE: Redemption and Apocatastasis: Parsifal and the Religion of the Late Wagner 238 CHAPTER TEN: An Encounter between Two Anomalies: King Ludwig II and Wagner 261 CHAPTER ELEVEN: Wagner and Bismarck: An Epoch-Making Nonrelationship 279 CHAPTER TWELVE: Two-Faced Passion: Nietzsche's Critique of Wagner 288 CHAPTER THIRTEEN: Parallel Action: Thomas Mann's Response to Wagner 308 CHAPTER FOURTEEN: The Disinherited Heir to the Throne: Franz Wilhelm Beidler, Wagner's Lost Grandson-a Postlude 329 NOTES 338 INDEX 383
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