Literature and visual technologies: writing after cinema
2004; Association of College and Research Libraries; Volume: 41; Issue: 09 Linguagem: Inglês
10.5860/choice.41-5057
ISSN1943-5975
AutoresJulian Murphet, Lydia Rainford,
Tópico(s)Cinema and Media Studies
ResumoList of Illustrations Notes on Contributors Acknowledgements Introductions J.Murphet & L.Rainford PART 1: PARAMETERS On Impurity: The Dialectics of Cinema and Literature C.MacCabe How Newness Enters the World: The Birth of Cinema and the Origins of Man L.Marcus PART 2: MODERNISMS International Media, International Modernism and the Struggle with Sound M.North Gertrude Stein's Machinery of Perception J.Murphet H.D.'s The Gift : an 'endless storeroom of film' R.Connor Ulysses in Toontown: 'Vision Animated to Bursting Point' in Joyce's 'Circe' K.Williams PART 3: BRIDGES Len Lye and Laura Riding in the 1930s: The Impossibility of Film and Literature T.Armstrong Writing the Alphabet of Cinema: Blaise Cendrars E.Robertson The Grammar of Time: Photography, Modernism and History E.Gualtieri PART 4: AFTER THE MODERN How to Read the Image?: Beckett's Televisual Memory L.Rainford Writing Images, Images of Writing: Tom Phillips's A Humument and Peter Greenaway's Textual Cinema A.Plotnitsky & P.Geyh Index
Referência(s)