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The domain-matrix: performing lesbian at the end of print culture

1997; Association of College and Research Libraries; Volume: 34; Issue: 10 Linguagem: Inglês

10.5860/choice.34-5470

1943-5975

Sue‐Ellen Case,

Art, Politics, and Modernism

ACKNOWLEDGMENTS THE DOMAIN-MATRIX: CRUISING SURFING THE MATRIX I. Re-Charging Essentialism A. Queer Performativity B. Burying the Live Body C. Performing Reading D. The End of Print Culture II. Toward a Politics of Space A. Semio-Space B. Cyberspace C. Getting the Point D. Voudou E. Lesbian, Siamesian Space Cadets III. First Contact: Murderous Heavenly Creatures A. Matricide Engenders Nation B. Rope-ing in the Virtual C. Swoon-ing into Cyberspace D. The Prison of PrintOs Return IV. The Computer Cometh A. A Revision of the Gaze B. Out of Focus C. Blanking Out D. Playing the Cyberstreet: Hamlet Reversed E. Turbo-Lesbo F. The Hot Rod Bodies of Cybersex G. Driving My Mouse H. Tripping into Cyber-Revolution V. Body as Flesh Zone A. The Body Acts B. The Transsexual Body C. Screenic Interrupt D. The Romance of the Knife E. Performing the Cut: Orlan and Kate Bornstein F. Screen/Skin/Utopia: The Lesbian Society CASE STUDIES: PERFORMANCE AND THE SCREEN BRINGING HOME THE MEAT: MATERIALIST SPATIAL DESIGNS OF NATION AND STAGE LOS ANGELES: A TOPOGRAPHY OF SCREENIC PROPERTIES THE BOTTOM SOURCES INDEX