A beautiful pageant: African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927
2003; Association of College and Research Libraries; Volume: 40; Issue: 07 Linguagem: Inglês
10.5860/choice.40-3792
ISSN1943-5975
Autores Tópico(s)Race, History, and American Society
ResumoIntroduction: African American Performance in the Harlem Renaissance PART ONE: 1910-1918 Men in Black and White: Race and Masculinity in the 1910 Heavyweight Championship Fight Exoticism, Dance, and Racial Myths: The Choreography of Aida Walker and Ethel Waters The Pageant is theThing: Black Nationalism and The Star of Ethiopia PART TWO: DRAMA Walter Benjamin and the Lynching Play: Allegory and Mourning in Angelina Weld Grimke's Rachel Migration, Fragmentation, and Identity: Zora Neale Hurston's Color Struck and the Geography of the Harlem Renaissance The Wages of Culture: Alain Locke and the Folk Dramas of Georgia Douglas Johnson and Willis Richardson PART THREE: 1918-1927 The Banner of Freedom: Marcus Garvey and the Performance of Black Nationalism Whose Role Is It, Anyway?: Charles Gilpin and the Harlem Renaissance 'What Constitutes a Race Drama and How May We Know It When We Find It?': The Little Theatre Movement and the Black Public Sphere 'Shuffle Along' and the Quest for Nostalgia: Black Musicals of the 1920s Conclusion: The End of 'Butter Side Up'
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