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Visual culture in twentieth-century Germany: text as spectacle

2007; Association of College and Research Libraries; Volume: 44; Issue: 07 Linguagem: Inglês

10.5860/choice.44-3683

1943-5975

Gail Finney,

German History and Society

Gail Finney, University of California, Davis. IntroductionPart I. Questions of Methodology and AestheticsCh. 1. Questions of Methodology in Visual Studies, Nora M. Alter Ch. 2. The Interarts Experiment in Early German Film, Ingeborg Hoesterey Ch. 3. From Dance to Film: The Cinematic Art of Leni Riefenstahl and Dorothy Arzner, Dagmar von Hoff Ch. 4. The Photographic Comportment of Bernd and Hilla Becher, Blake Stimson Ch. 5. Ready, Set, Made! Joseph Beuys and the Critique of Silence, Jan Mieszkowski Ch. 6. Las Vegas on the Spree: The Americanization of the New Berlin, Janet WardPart II. Gender And SexualityCh. 7. Magnus Hirschfeld and the Photographic (Re)Invention of the 'Third Sex,' David James Prickett Ch. 8. (Un)Fashioning Identities: Ernst Lubitsch's Early Comedies of Mistaken Identity, Valerie Weinstein Ch. 9. Cigarettes, Advertising, and the Weimar Republic's Modern Woman, Barbara Kosta Ch. 10. Brecht, Fassbinder, and Queer Montage, Patrick Greaney Ch. 11. Activism, Alterity, Alex & Ali: Writing Germany's First Gay Sitcom, Thomas J. D. Armbrecht Ch. 12. Gender, Imperialism, and the Encounter with Islam: Ruth Beckermann's Film A Fleeting Passage to the Orient, Dagmar C. G. LorenzPart III. Political DimensionsCh. 13. Cartographic Claims: Colonial Mappings of Poland in German Territorial Revisionism, Kristin Kopp Ch. 14. Face/Off: Hitler and Weimar Political Photography, Lutz Koepnick Ch. 15. 'Send in the Clowns': Carnivalizing the Heil-Hitler Salute in German Visual Culture, Peter Arnds Ch. 16. Visual Signaling Systems in East German Political Cabaret: The Case of Berlin's Distel, Michele Ricci Ch. 17. Reframing Celan in the Paintings of Anselm Kiefer, Eric Kligerman