Jane Campion: authorship and personal cinema
2011; Association of College and Research Libraries; Volume: 49; Issue: 01 Linguagem: Inglês
10.5860/choice.49-0165
ISSN1943-5975
Autores Tópico(s)Cinema and Media Studies
ResumoContents Acknowledgments Introduction: Authorship, Creativity, and Personal Cinema 1. Origins of a Problematic: The Campion Family 2. The Tragic Underbelly of the Family: Fantasies of Transgression in the Early Films 3. Living in the Shadow of the Family Tree: Sweetie 4. How painful it is to have a family member with a problem like that: Authorship as Creative Adaptation in An Angel at My Table 5. Traumas of Separation and the Encounter with the Phallic Other: The Piano 6. The Misfortunes of an Heiress: The Portrait of a Lady 7. Exacting Revenge on Cunt Men: Holy Smoke as Sexual Fantasy 8. That which terrifies and attracts simultaneously: Killing Daddy in In the Cut 9. Lighting a Lamp: Loss, Art, and Transcendence in The Water Diary and Bright Star Conclusion: Theorizing the Personal Component of Authorship Notes Works Cited Filmography Index
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