Eugene O'Neill's century: centennial views on America's foremost tragic dramatist

1992; Association of College and Research Libraries; Volume: 29; Issue: 05 Linguagem: Inglês

10.5860/choice.29-2555

ISSN

1943-5975

Autores

Richard F. Moorton,

Tópico(s)

Theatre and Performance Studies

Resumo

Preface Introduction O'Neill's Tragic Art Eugene O'Neill and the Sense of the Tragic by Richard B. Sewall O'Neill and the Poetics of Modernist Strangeness by Spencer Golub Causality in O'Neill's Late Masterpieces by Roger Brown Masking Becomes Electra: O'Neill, Freud, and the Feminine by S. Georgia Nugent Some Problems in Adapting O'Neill for Film by Burton L. Cooper A Spokesman for America: O'Neill in Translation by Rita Terras Art and Life: The Wellsprings of Genius Eugene O'Neill's American Eumenides by Richard F. Moorton, Jr. Searching for Home in O'Neill's America by Kristin Pfefferkorn Get My Goat: O'Neill's Attitude toward Children and Adolescents in His Life and Art by Lowell Swortzell O'Neill's Psychology of Oppression in Men and Women by Jane Torrey The Author as Oedipus in Mourning Becomes Electra and Long Day's Journey into Night by Richard F. Moorton, Jr. O'Neill Onstage O'Neill's Stage Directions and the Actor by Jeffrey Elliott Sands Theatre and the Critics by Linda Herr Works Cited Index

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