Portal de Periódicos da CAPES

Aesthetics of Law and Culture: Texts, Images, Screens

2004; Linguagem: Inglês

10.1016/s1059-4337(2004)34

1875-8088

Andrew T. Kenyon, Peter Rush,

Law in Society and Culture

Alter Egos: The mise-en-scene of law and aesthetics. (P.D. Rush, A.T. Kenyon). Part I: Crime Scenes: Sexuality and Representation. Exhibiting the Hymen: The Blank Page between Law and Literature. (N. Philadelphoff-Puren). 'It forced me to open more than I could bear': HAD, Paedophilia, and the Discursive Limits of the Male Heterosexual Body. (B. Golder). Arresting Images / Fugitive Testimony: the resistant photography of Evergon. (D. Dalton). Part II: Sites Unsaid: Testimony, Image, Genre. The Trial: Elements of a Legal Assemblage of Desire. (E. Mussawir). Character Evidence and the Literature of the Theophrastan Character: A Phenomenology of Testimony. (M. FitzGerald). Injury as Melodrama. (S. Hardy). Graven Images: 'The Hart Island Project'. (R. Scott Bray). Part III: (Post)Colonial Appropriations. Awash in a Tide of History: 'Responsibility' for Cultural Violence A Comparative Analysis of Nulyrimma and Voss. (L. Godden). Cartography, Property and the Aesthetics of Place: Mapping Native Title in Australia. (A. Reilly). Gods and Humans. (N. Hussain). Part IV: Screen Culture: Sovereignty, Cinema and Law. Unworking Death in 'Unforgiven': Law, Ethos, Violence. (T.L. Dumm). Sovereign Contempt. (P.J. Hutchings). One Recht to Rule Them All! Law's Empire in the Age of Empire. (W. MacNeil).