Re-viewing fascism: Italian cinema, 1922-1943
2002; Association of College and Research Libraries; Volume: 40; Issue: 04 Linguagem: Inglês
10.5860/choice.40-2075
ISSN1943-5975
AutoresJacqueline Reich, Piero Garofalo,
Tópico(s)Italian Fascism and Post-war Society
ResumoContents Acknowledgements Preface Piero Garofalo and Jacqueline Reich Part 1: Framing Fascism and Cinema 1. Mussolini at the Movies: Fascism, Film, and Culture Jacqueline Reich 2. Dubbing L'Arte Muta: Poetic Layerings Around Italian Cinema's Transition to Sound Giorgio Bertellini 3. Intimations of Neorealism in the Fascist Ventennio Ennio Di Nolfo 4. Placing Cinema, Fascism, and the Nation in a Diagram of Italian Modernity James Hay Part 2: Fascism, Cinema, and Sexuality 5. Sex in the Cinema: Regulation and Transgression in Italian Films, 19301943 David Forgacs 6. Luchino Visconti's (Homosexual) Ossessione William Van Watson 7. Ways of Looking in Black and White: Female Spectatorship and the Miscege-national Body in Sotto la croce del sud Robin Pickering-Iazzi Part 3: Fascism and Film in (Con)texts 8. Seeing Red: The Soviet Influence on Italian Cinema in the Thirties Piero Garofalo 9. Theatricality and Impersonation: The Politics of Style in the Cinema of the Italian Fascist Era Marcia Landy 10. Shopping for Autarchy: Fascism and Reproductive Fantasy in Mario Camerini's Grandi magazzini Barbara Spackman 11. The Last Film Festival: The Venice Biennale Goes to War Marla Stone 12. Film Stars and Society in Fascist Italy Stephen Gundle Selected Bibliography Index
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