Film criticism, the Cold War, and the blacklist: reading the Hollywood Reds
2014; Association of College and Research Libraries; Volume: 52; Issue: 04 Linguagem: Inglês
10.5860/choice.185608
ISSN1943-5975
Autores Tópico(s)Italian Fascism and Post-war Society
ResumoList of Illustrations List of Tables Acknowledgments Introduction: What More Can Be Said about the Hollywood Blacklist? 1. A Bifocal View of Hollywood during the Blacklist Period: Film as Propaganda and Allegory 2. I Was a Communist for RKO: Hollywood Anti-Communism and the Problem of Representing Political Beliefs 3. Reds and Blacks: Representing Race in Anti-Communist Films 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer 5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films 6. Roaming the Plains along the New Frontier: The Western as Allegory of the Blacklist and the Cold War 7. Loving the Alien: Science Fiction Cinema as Cold War Allegory Conclusion: Old Wounds and the Texas Sharpshooter Notes Bibliography Index
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