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Neo-Muzak and the Business of Mood

2015; University of Chicago Press; Volume: 41; Issue: 4 Linguagem: Inglês

10.1086/681787

1539-7858

Paul Allen Anderson,

Diaspora, migration, transnational identity

Previous articleNext article No AccessArticleNeo-Muzak and the Business of MoodPaul Allen AndersonPaul Allen AndersonPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 41, Number 4Summer 2015 Article DOIhttps://doi.org/10.1086/681787 Views: 1029Total views on this site Citations: 23Citations are reported from Crossref © 2015 by The University of Chicago. 0093-1896/15/4104-0002$10.00. All rights reserved.PDF download Crossref reports the following articles citing this article:Natalie Farrell K. K. COVID-19, Journal of Sound and Music in Games 3, no.44 (Oct 2022): 1–28.https://doi.org/10.1525/jsmg.2022.3.4.1David Hesmondhalgh Streaming’s Effects on Music Culture: Old Anxieties and New Simplifications, Cultural Sociology 16, no.11 (Jun 2021): 3–24.https://doi.org/10.1177/17499755211019974Wayne E. Arnold Sensing sounds in the spaces of Tokyo, Sound Studies 8, no.11 (Oct 2021): 114–116.https://doi.org/10.1080/20551940.2021.1988475Mads Krogh Experimentation in and with the Stream: Music, Mood Management and Affect, (Jun 2022): 117–138.https://doi.org/10.1007/978-3-030-96272-2_6Fabio Morreale Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation, Transactions of the International Society for Music Information Retrieval 4, no.11 (Jul 2021): 105–113.https://doi.org/10.5334/tismir.86Jack Webster The promise of personalisation: Exploring how music streaming platforms are shaping the performance of class identities and distinction, New Media & Society 24 (Jul 2021): 146144482110278.https://doi.org/10.1177/14614448211027863Babette Babich Heidegger and Leonard Cohen: “You Want It Darker”, Religions 12, no.77 (Jun 2021): 488.https://doi.org/10.3390/rel12070488Eric Drott Copyright, compensation, and commons in the music AI industry, Creative Industries Journal 14, no.22 (Oct 2020): 190–207.https://doi.org/10.1080/17510694.2020.1839702Victor Szabo Pacifica Radio’s Music from the Hearts of Space and the Ambient Sound of California’s New Age, Journal of the American Musicological Society 74, no.11 (Apr 2021): 43–90.https://doi.org/10.1525/jams.2021.74.1.43Ruth E. Rosenberg Perfect Pitch, Journal of Popular Music Studies 33, no.11 (Mar 2021): 137–154.https://doi.org/10.1525/jpms.2021.33.1.137Marie Thompson ‘Your Womb, the Perfect Classroom’: Prenatal Sound Systems and Uterine Audiophilia, Feminist Review 127, no.11 (Nov 2020): 73–89.https://doi.org/10.1177/0141778920958671Ulises Hadjis Labarca Music streaming and its consequences within the dynamics of power, consumption and creation, Teknokultura. Revista de Cultura Digital y Movimientos Sociales 18, no.11 (Dec 2020): 3–12.https://doi.org/10.5209/tekn.68748Sylwia Makomaska Muzyka na peryferiach uwagi. Od "musique d’ameublement" do audiomarketingu, 149 (Jan 2021).https://doi.org/10.31338/uw.9788323550853Nedim Karakayali, Baris Alpertan Mood playlists, biopower, and the “functional turn” in online media: What happens when a pre-digital social control technology is transferred to the internet?, The Information Society 41 (Nov 2020): 1–15.https://doi.org/10.1080/01972243.2020.1826616K. E. Goldschmitt The Long History of the 2017 Spotify “Fake Music” Scandal, American Music 38, no.22 (Jul 2020): 131–152.https://doi.org/10.5406/americanmusic.38.2.0131Ignacio Siles, Andrés Segura-Castillo, Mónica Sancho, Ricardo Solís-Quesada Genres as Social Affect: Cultivating Moods and Emotions through Playlists on Spotify, Social Media + Society 5, no.22 (May 2019): 205630511984751.https://doi.org/10.1177/2056305119847514Håvard Kiberg Hvordan forstå og undersøke populærmusikkens«svarte bokser»?, Norsk medietidsskrift 26, no.11 (Mar 2019): 1–11.https://doi.org/10.18261/ISSN.0805-9535-2019-01-05Dora Zhang Notes on Atmosphere, Qui Parle 27, no.11 (Jun 2018): 121–155.https://doi.org/10.1215/10418385-4383010Nedim Karakayali, Burc Kostem, Idil Galip Recommendation Systems as Technologies of the Self: Algorithmic Control and the Formation of Music Taste, Theory, Culture & Society 35, no.22 (Aug 2017): 3–24.https://doi.org/10.1177/0263276417722391Nicola Glaubitz Ambient und Literatur, (Jan 2018): 83–107.https://doi.org/10.1007/978-3-658-19752-0_5Pelle Snickars More of the Same - On Spotify Radio, Culture Unbound: Journal of Current Cultural Research 9, no.22 (Oct 2017): 184–211.https://doi.org/10.3384/cu.2000.1525.1792184Sofia Johansson, Ann Werner, Patrik Åker, Gregory Goldenzwaig Conclusions, (Aug 2017): 161–169.https://doi.org/10.4324/9781315207889-10Lorraine Plourde Sonic air-conditioning: muzak as affect management for office workers in Japan, The Senses and Society 12, no.11 (Mar 2017): 18–34.https://doi.org/10.1080/17458927.2017.1268812