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The cinema and its shadow: race and technology in early cinema

2013; Association of College and Research Libraries; Volume: 51; Issue: 02 Linguagem: Inglês

10.5860/choice.51-0770

1943-5975

Alice Maurice,

Cinema and Media Studies

Contents Acknowledgments Introduction: Embodying 1. Performing Body, Performing Image: Race and the Boundaries of Early Cinematic Narrative 2. Face, Race, and Screen: Close-ups and the Transition to the Feature Film 3. Recasting Shadows: Race, Image, and Audience 4. Cinema at Its Source: Synchronizing Race and Sound in the Early Talkies Conclusion: RED, White, and Blue: Digital Cinema, Race, and Avatar Notes Filmography Index