Women artists and the Parisian avant-garde: modernism and 'feminine' art, 1900 to the late 1920s
1996; Association of College and Research Libraries; Volume: 34; Issue: 02 Linguagem: Inglês
10.5860/choice.34-0724
ISSN1943-5975
Autores Tópico(s)Art, Politics, and Modernism
ResumoIntroduction - Charmy....sees like a and paints like a man images of bourgeois life - early training in St Etienne and Lyon women painters and the Parisian avant garde - Charmy and exhibiting societies, dealers and Fauves To see like a woman - the school of Paris and the idea of a feminine style public and private art - the art market and the nude the cult of succes - consolidation and official recognition art history and women painters in post-war Paris. Appendices: unpublished diary of first art dealer, Berthe Well biographies of women artists listings of all exhibitions French and British art collections with their work represented.
Referência(s)