Dietrich Fischer-Dieskau: An Die Musik. Dietrich Fischer-Dieskau, Baritone
2014; Routledge; Volume: 71; Issue: 1 Linguagem: Alemão
ISSN
2769-4046
Autores Tópico(s)Musicology and Musical Analysis
ResumoDietrich Fischer-Dieskau: die Musik. Dietrich Fischer-Dieskau, baritone; Gerald Moore, Daniel Barenboim, Wolfgang Sawallisch, Sviatoslav Richter, Hertha Klust, Karl Engel, Margrit Weber, piano; Hermann Tottcher, oboe; Kammerorchester Karl Ristenpart, Radio-Symphonie-Orchester Berlin, RIAS-Symphonie-Orchester Berlin, Orchester der Deutschen Oper Berlin, Bayerisches Staatsorchester, Berliner Philharmoniker; Karl Ristenpart, Ferenc Fricsay, Otto Gerdes, Eugen Jochum, Joseph Keilberth, Karl Bohm. (Deutsche Grammophon 000289 477 5556; 78:35/ 71.11, DVD 27:43)Schubert: An die Der Musensohn, Du bist die Ruh, Standchen, Das Lied im Grunen, Die liebe Farbe, Am Fenster, Auf der Donau, Des Frauleins Liebeslauschen, Auf der Bruck, Fischerweise, Der Wanderer, Die Sterne, Im Fruhling, Die liebe Farbe (Die schone Mullerin), Erstarrung, Der Leiermann (Winterreise). Schumann: Dichterliebe: Im wunderschonen Monat Mai, Aus meinen Tranen spriessen, Die Rose, die Lilie, Wenn ich in deine Augen seh', Ich will meine Seele tauchen, Im Rhein, im heiligen Strome, Ich grolle nicht, Und wussten's die Blumen, die kleinen, Das ist ein Floten und Geigen, Hor' ich das Liedchen klingen, Ein Jungling liebt ein Madchen, Am leuchtenden Sommermorgen, Ich hab' im Traum geweinet, Allnachtlich im Traume seh' ich dich, Aus alten Marchen winkt es, Die alten, bosen Lieder. Mahler: Vier Ruckert-Lieder. Um Mitternacht, Ich atmet' einen linden Duft, Blicke mir nicht in die Lieder, Ich bin der Welt Abhanden gekommen. Brahms: An eine Aolsharfe, Mondnacht, Feldeinsamkeit. Liszt: Es muss ein Wunderbares sein. Strauss: Standchen, Herr Graf, Sie haben ihrem werten Brief (Arabella). Othmar Schoeck: Nachruf. Wolf: Ein Standchen euch zu bringen, Was fur ein Lied soll dir gesungen werden? (Italienisches Liederbuch), Verborgenheit. Debussy: La grotte, Mandoline. J. S. Bach: Ich habe genug, ich habe den Heiland (Ich habe genug, BWV 82). Gluck: Ach, ich habe sie verloren (Orpheus und Eurydice). Mozart: Der Vogelfanger bin ich ja (Die Zauberflote), Finch'han dal vino (Don Giovanni). Wagner: O du mein holder Abendstern (Tannhauser), Was duftet doch der Flieder (Die Meistersinger von Nurnberg. Orff: In taberna: Estuans interius (Carmina bu rana).The classical music world is still mourning loss of Dietrich Fischer-Dieskau, who died in 2012 at age of 86. One of most revered artists of twentieth century, baritone also holds distinction of being most recorded singer in history. Given that extraordinary legacy, it's little wonder that Fischer-Dieskau became, according to writer Richard Evidon, the voice we knew better than our own. Evidon makes this statement in his liner notes for a superb collection from Deutsche Grammophon titled Dietrich Fischer-Dieskau: die Musik, which encapsulates this remarkable singer's unparalleled career about as well as any two-disk release possibly could. What makes this release so compelling is that recordings included here have been carefully chosen to reflect exceptional breadth of his career. There is a generous sampling of his work with lieder of Schubert, Schumann, Brahms, Wolf, and Mahler, but one also finds significant mementos of his operatic career, as well as brief forays into music of composers as diverse as J. S. Bach, Claude Debussy, and Carl Orff. Of course, anyone with more than a passing acquaintance with his legacy knows that a collection of such relatively limited scope cannot fully encompass all that this singer managed to accomplish. But if one is looking for a modestly priced release that is illuminating yet not overwhelming, look no further than this one.The breadth of Fischer-Dieskau's career is amply celebrated here, but not so much its length. It is delightful to have a sampling of his earliest recordings from 1949 to gain a sense of his exceptional musical maturity before he had reached his thirtieth birthday. …
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