
A morte de Laocoonte e o Gigante Adamastor: a écfrase em Virgílio e Camões
2008; UNIVERSIDADE FEDERAL DE MINAS GERAIS; Volume: 1; Linguagem: Inglês
10.17851/1983-3636.1.0.45-58
ISSN2179-7064
Autores Tópico(s)Linguistics and Education Research
Resumo<p style="text-align: justify;"><em><span style="color: black; font-family: 'TimesNewRomanPS-ItalicMT','serif'; mso-ansi-language: EN-US;" lang="EN-US">Ekphrasis </span></em><span style="color: black; font-family: 'TimesNewRomanPS-ItalicMT','serif'; mso-ansi-language: EN-US;" lang="EN-US">or</span><span style="color: black; font-family: 'TimesNewRomanPS-ItalicMT','serif'; mso-ansi-language: EN-US;" lang="EN-US">euidentia is an important picture of affection which plays a significant role in poetry. This vivid and detailed description of an object or action makes what is being described emerge in order to provoke readers' emotions, moving their passion through poetical representation. The article presents some of the linguistic resources used to build this affective picture in two different episodes of two epic poems: Aeneid </span><span style="color: black; font-family: 'TimesNewRomanPSMT','serif'; mso-ansi-language: EN-US;" lang="EN-US">by Virgil and </span><span style="color: black; font-family: 'TimesNewRomanPS-ItalicMT','serif'; mso-ansi-language: EN-US;" lang="EN-US">Os Lusíadas by Camões.</span></p><p> </p><p> </p><p> </p><p> </p>
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